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One Line Reviews |
One-line Reviews
| Cut the Rug |
"An expedition through joy and sorrow "
Adabelle Ekechukwu, Harvard Crimson, Jan 31st, 2012
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| Steampunk |
"Steampunk was joy, real joy. "
Harry Rolnick, concertonet.com, Feb 8th, 2011
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| The Eye of Night |
"Simply one of the greatest compositions for flute, viola, and harp I’ve heard in years. "
Christian Herzog, Sequenza21.com, Jan 23rd, 2011
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| The North Wind was a Woman |
"Brilliantly scored...hugely impressive."
George Hall, The Guardian, 19 Aug 2011
"One of the most smashing successes for a new work I have seen in a long time."
David Finckel, CMS Blog, 25 Sept 2009
"Ravishingly beautiful"
Kenneth Herman, SanDiego.com, 3 May 2011
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| Gumboots |
"The second it ended, their listeners leaped to their feet, screaming and shouting, like they'd been blown out of aircraft ejection seats. "
Lindsay Koob, Charleston City Paper, June 2, 2010
"lively...jubillant...joyous"
Vivien Schweitzer, New York Times, Oct 24, 2008
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| A Bird in Your Ear |
"Extraordinarily moving "
Frank J.Oteri, New Music Box
"The music, rich with imagined folk tunes, undulant accompaniment patterns and vibrant choral writing, is delicate, tartly tonal and lucidly orchestrated. "
Anthony Tommasini, New York Times, 4 May, 2009
"Bruce's and Middleton's opera appealed to me at some primary level."
Karren LaLonde Alenie, Scene 4 Magazine, June 2009
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| Piosenki |
"His writing is masterful, both in setting text to melody, and
in orchestrating sound for nine players."
James Hennerty, Times Union, 7 Oct, 2007
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| Push! |
"This was a dazzling show by any standards...Push! is simply brilliant from start to finish. "
Roderic Dunnett, Opera Now, Nov/Dec 06
"Bruce's writing comes close to operatic genius "
Warwick Thompson, Metro, 21 June 06
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